Portrait

US-American photographer Irving PENN selected for this photo volume, 'Passage. A work record', those photographs that speak most strongly to his work spanning over half a century. It also includes photographs of the people of Benin commissioned by Vogue.

'Annelise Kretschmer. Fotografin' was published to accompany the exhibition at Folkwang Museum. In addition to the photos, it contains an interview, an artist chronology, an annotated catalog of the exhibited works, a selected biography & a bibliography.

American photographer Doug RICKARD's small hardcover volume 'All Eyes On Me' contains eleven four-color plates of Polaroid images in full color on 16 pages with an original signed photograph.

For 'Give me your Image' renowned Dutch photographer Bertien van MANEN traveled through Europe to document family photos and collect traces of war & oppression, of happiness & sadness. The result: a century of history in encounters of eyes, minds, hearts.

'Die Kennedys. Portrait of a Familie' von Richard AVEDON führt uns zurück in den Januar 1961. Er enthält für die Modemagazine Look und Harper's Bazaar gemachte Fotos der Familie John F. Kennedys, der kurz zuvor zum Präsidenten der USA gewählt worden war.

This volume contains works by German photographer Tobias ZIELONY, winner of the Marion Ermer Prize 2004. The images were made between 1999 and 2003 in Bristol/Newport, Halle & Marseille and already published in his photographi volume 'Behind the Block'.

This photo book provides an overview of the work by Martine FRANCK, conceived by herself. Feminism, social disadvantage, the elderly, Buddhism, portraits as well as landscapes are themes that have been taken up again and again during her worldwide travels

This photo book, 'Speak the Wind' by Hoda AFSHAR, takes the reader to the islands in the Strait of Hormuz. In pictures from landscapes, people & rituals, the photographer tries to trace the wind and its psychic entanglements to make the invisible visible.

The photo volume 'Polaroid 54/59/79' by Dana LIXENBERG is a remarkable collection. It reflects American celebrity culture with encounters from the 1990s and 2000s. The title refers to the types of peelable instant film she used between 1993 and 2010.

In 'Der subjektive Blick in den Fotografien der 'Boston School', Peter Kruska proves that photographs by David ARMSTRONG, Philip-Lorca DiCORCIA, Nan GOLDIN, Mark MORRISROE, Jack PIERSON & Shellburne THURBER go beyond the documentary and the emotional.