Color photography

'Die Zukunft hat schon begonnen' (The Future Has Already Begun) represents the major monograph on Rudolf HOLTAPPEL, considered THE chronicler of the Ruhr area of the 50s. In addition, he created free, experimental works and photographed on numerous trips.

In his photo book 'Italian Holidays', Claude NORI succeeds masterfully in capturing that mixture of Mediterranean lifestyle & carefree holiday spirit, inspired by his travels and short trips along the Italian coastline with Luigi GHIRRI in the late 1970's

For their volume 'Empty land' Rob HORNSTRA and Arnold van Bruggen explored Abkhazia, located on the Black Sea, for four years. They visited refugees in Georgia and documented the Abkhazian government's attempts to populate the empty, war-ravaged country.

The photo volume 'Shooting the Tiger' by Chinese-Dutch photographer Xiaoxiao XU shows an aspect of Chinese culture that is in the process of disappearing. It documents the colorful world of Shèhuo - we travel with her from village to village.

One year after the tsunami on March 11, 2011, the photographer Hans-Christian SCHINK casts his eyes on the particularly affected Tohoku region in northeastern Japan. He had already visited Niigata Prefecture in 2008 for the 'European Eyes on Japan' projec

The book 'Nürnberg' by Juergen TELLER is the result of a long-term project. During his studies of the Reichsparteitag site, a place he often visited in his youth, he created a series of images that address mortality, process of birth & growth until death.

In his debut book 'We Were Born Before the Wind' Henri PRESTES deals with loneliness as well as melancholy. The pictures were created in the cold months in Portugal, when he often roamed in the dark through small villages, mountains and lonely fields.

HC with dust jacket, 29,5 x 23 x 2 cm., 120 pp., color ills., text language: English

HC (no dust jacket, as issued), 24,5 x 30,5 cm., 256 pp., 100 b/w & 150 color ills., 1.600 gr., bilingual: English / German

What in other families' guest room was called the 'Africa room' by the SCHÖNHARTINGs. In the lavishly designed book 'Das Erbe', the Ostkreuz photographer embarks on an associative journey, a personal dialogue with private, social colonial responsibility.