Monograph

'Imperial. Majestic. Magical' accompanied an Austrian Axel HÜTTE exhibition. It contains older cycles and newer works. Front portraits meet shimmering figures with a landscape character, Venetian cityscapes meet current photographs of the lagoon city.

New Ed., HC (no dust jacket, as issued), 24,5 x 31,5 x 2,5 cm., 200 pp., 128 duotone b/w ills., bilingual texts: German / English

With the eye of the biologist, LEMPERT photographs nature and animals. Conceived by himself, this volume shows his entire work since the early 1990s in a picture section divided into several chapters and a secondary section with essays on life and work.

The photo volume 'Paris Portraits. 1925-1930' features the clear, honest results of the earliest photographic endeavor of the prominent US-american photographer Berenice ABBOTT’, which illustrates the philosophy that shaped all of her subsequent work.

The out-of-print monograph, 'Whistle for the Wind', on the work of Ryan McGINLEY contains the images of his books published until 2012, as well as texts that authors address the phenomenon 'McGinley'. The photo book impresses with its good print quality.

This catalog on the oeuvre by Francesca WOODMAN accompanied the exhibitions in San Francisco and at the Guggenheim Museum, NYC. An extraordinary informative essay organizes the critical & art historical literature on the work of the American photographer.

The out-of-print volume 'The House Project' by Roger BALLEN looks back at his career through the house as a metaphor for the mind. The House project is a unique collaboration between the photographer, writer Didi Bozzini and book designer Damien POULAIN.

The monograph 'As far as I could get' on the work of California-based photographer John DIVOLA, covers four decades of his work and explores a total of ten large series. Anyone interested in contemporary American photography will appreciate this volume.

This out-of-print catalog includes works by Ed RUSCHA from the 1960s to the early 2000s. Essays place painting, language use, and his photography in an art historical context and draw parallels to U.S. painters and the history of documentary photography.

1st print run, HC (no dust jacket, as issued), 25 x 30 x 3,5 cm., 296 pp., over 400 color and b/w ills., text language: English